WELCOME PRESENTERS!
To Oscar With Love
- Mister Kicks (Featuring Keith Fiddmont)
- Afro Blue
- Strong Man (Featuring Paul Jackson, Jr. & Mark Cargill)
- But I Was Cool (Featuring Glen Berger)
- Brown Baby
- Hazel’s Hips
- Rags And Old Iron
- Hum Drum Blues (Featuring Adam “Ayejaye” Jackson, Paul Jackson, Jr., Philip Whack)
- The Snake (Featuring Scotty Barnhart)
- Work Song (Featuring Tony Campodonico and Mark Cargill)
- A Ladies Man (Featuring Adam “Ayejaye” Jackson, Tony Campodonico, and Tom Luer)
- A Tree And Me (Featuring Tony Campodonico, Paul Jackson, Jr.)
DISCOGRAPHY




ABOUT
American jazz recording artist Amber Weekes celebrates the birth centenary of songwriter, poet, playwright, and Civil Rights activist Oscar Brown, Jr., with her deeply-felt fifth album, “To Oscar with Love.” It is the most unique and powerful album of her career, with a strong backstory.
Weekes first “met” Brown as a pre-teen, while riding with her two sisters in the back seat of their mom’s car in Los Angeles. When his song, “The Snake,” came on the radio, their mom asked them to stop chatting and listen to “this really old song” of Brown’s. She wanted them to listen to the lesson in his words. Weekes became hooked. As she grew up and into her own musical repertoire, Brown’s songs found their way into her albums, beginning with her promotional recording of his song, “Hazel’s Hips,” in 2002. In 2021, her producer, Mark Cargill, re-mixed, re-mastered, and re-orchestrated the song for Weekes’ second market release, Round Midnight-Reimagined. The song reminded Weekes of her aunt’s real-life romance with actor Sidney Poitier, a patron at the family business, Weekes’ Luncheonette in Harlem, where her aunt worked as a waitress.
Weekes was honored to meet Brown during his LA years, and later performed with him at a fundraiser for donnie l. betts’ documentary, Music is My Life, Politics My Mistress: The Story of Oscar Brown, Jr. In the days leading up to the fundraiser, Brown became Weekes’ most famous houseguest. After Brown’s death in 2005, Weekes knew that someday she would record an album of his music.
Weekes partnered with acclaimed producer, arranger and conductor Mark Cargill to record Brown’s songs. She selected those that would convey her deep respect for him and the messages he left for the world to discover. She is accompanied by LA “A listers,” pianist Tony Campodonico, guitarist Paul Jackson, Jr., trumpeter James Ford, saxophonist Phillip Whack, and violinist, string and horn arranger, and conductor Mark Cargill, among others.
Raised in Los Angeles in a home filled with the sounds of Frank Sinatra, Ray Charles, Barbara Streisand, Diahann Carroll, Billie Holiday, Ella Fitzgerald, and Nancy Wilson, Weekes was born to sing. She has performed as a classic and contemporary jazz vocalist all around the United States and the world, including Caesar’s Palace in Las Vegas. She is a frequent headliner at Hollywood’s famed Catalina Jazz Club on Sunset Boulevard. Weekes’ jazz albums have ranked high as some of America’s best. With each performance and project, she continues to carry the torch for the great legacy of jazz.
For more information, visit www.amberweekes.com.
REVIEWS
The whole album is filled with excellent song choices from Oscar Brown Jr.'s catalog in which Weekes delivers on to perfection, honoring his legacy while stamping the music with her own unique artistic identity. By blending rich history, stellar musicianship, and heartfelt vocal performances, she has crafted a wonderful work of art.
Jacob Sylvester, All About Jazz
She gives these songs not only a beautiful voice and swinging phrasing but a full understanding of the lyrics. Fans of Oscar Brown Jr. and along with those who are just beginning to discover his music will certainly want to pick up To Oscar With Love.
Scott Yanow, LA Jazz Scene
Weekes is one of the most compelling storytellers in modern vocal jazz. She lets songs breathe with measured, almost instrumentalist-like phrasing, and her warm timbre, dynamic range and narrative depth pull the listener in.
Anna Steegman, New York Jazz Record
Among the most remarkable vocal jazz recordings of 2026, To Oscar with Love stands as a reminder that great music does not simply survive the passage of time. It evolves, finds new interpreters, and continues speaking to new audiences. In an era when cultural memory is often fragmented, Amber Weekes has created something increasingly rare: an album that looks backward without nostalgia and forward without forgetting.
Thierry DeClemensat, Paris Move
Amber Weekes does the master proud with twelve of Brown’s prized songs. Amber possesses a great vocal style, both pure, yet with a sassy edge, that fits right in with sophisticated, ultra cool lyrics that Oscar provides. Well before rap entered our musical lexicon, Brown was upfront as an “OG” pioneer. Weekes handles the life lessons that “Professor Brown” teaches with aplomb. When it’s time to strut, she's right there, and the hip references are aided by great features from her guests. Both strings and horns add to the well mixed arrangements.
Jeff Krow, Audiophile Audition
Weekes has successfully forged Brown’s work into another dimension with rousing arrangements. Her vocal prowess is aglow and the question arises as to why the New York clubs haven’t become a regular stop for her. Now, we have “To Oscar with Love,” which says it all!
Ronald E. Scott, Jazz Notes
